Acorn Reality
October 11th, 2024 — February 9th, 2025
44 Troy Street, Fall River, MA
Artists: Anthony Discenza, Zhanyi Chen, Suzanne Treister, Christopher Forgues, Jake Tobin
Curated by Harry Gould Harvey IV
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Acorn Reality explores the phenomenon of perception and misunderstanding, drawing from the concept of the “Eggcorn”—a term used when a subject misinterprets reality due to cultural or phonetic clues.
‘Acorn Reality’ delves into symbols, semiotics, and industrial networks, with a focus on how speculative investments made by algorithmically led investment firms and corporations impact the perception of modern ideals. The exhibition asks: What happens when we think we understand one another, only to discover that misinterpretation is inevitable?
Taking inspiration from John Cage’s Rolywholyover, A Circus, Acorn Reality attempts to challenge traditional hierarchies within museums and exhibitions. Curator and artist Harry Gould Harvey IV incorporates Cage’s anti-hierarchical strategies, transforming FR MoCA into a collaborative space where the boundaries between artist, curator, and institution are deliberately blurred. Cage’s use of chance operations, non-linear philosophy, and dynamic composition creates an environment open to constant change and redefining the relationship between art, space, and audience.
The exhibition’s title, Acorn Reality, refers to the Old English word “æcern,” meaning acorn, which through misunderstanding became “eggcorn.” This linguistic transformation parallels the exhibition’s themes of reality and misinterpretation, as the acorn becomes a metaphor for conceptual shifts and mistaken understandings that shape our perception.
In this simulacrum, the acorn becomes a simulacrum of the house — it is no longer tethered to its origin, to nature, or to its biological function. Here, the acorn is made to signify property in a process of idiosyncratic substitution that severs any link to its ‘real’ identity. The brokers do not sell homes, nor do they even sell acorns. They sell the idea of property itself, commodified in an endless cycle of simulation, where the signs of ‘home’ and ‘ownership’ are emptied and substituted by arbitrary forms, much like the eggcorn or malapropism — a shift in meaning that hides the fracture in representation.
The exhibition invites participants to reflect on how meaning is constructed, how misunderstandings evolve into new interpretations, and how art can both clarify and obscure reality.
Acorn Reality is the ninth group exhibition presented by FR MoCA, and the fourth at their new location at 44 Troy Street. The museum inhabits one third of the GATHER complex, Fall River’s newest cultural space.
FR MoCA thanks MassDevelopment’s Transformative Downtown Initiative, Barr Foundation, B.M.C. Durfee High School, Fall River Cultural Council, and Massachusetts Cultural Council for their support.